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Wild Trax
Pop Music Review by Tipper Gore

Never, in my years of reviewing CDs, both with and without those warning labels, have I seen as fabulous a collection as you'll find here. Take the kid's allowance money and spend it on this.

For kick-ass, stomp 'em in the guts, garage-band rock, nothing beats the double-set CD, "Dead From the Neck Up" by Love Wormms. The thick, crunchy "Nail My Tongue to Your Bedroom Door" captures the adolescent paranoia of love's loss; while the more raucous, and I might say, annoying, ballad, "Love 'em, Lay 'em, Leave 'em" strikes a discordant artery in my feminist heart.

Blues legend Diddley Squat percolates on "Dead Drunk at My Own Funeral" on Rigormortis Records. Milky Fluids yowls on fluently throughout the grinding two-hour dance remix of "The Bunny Hop."

The Fish Heads drown in the joyless drone of "Me and Mrs. Paul" on Salmon Records. More attuned is the abrasive buzz of "Eek Eek What a Creep" and "Squeeze 'Em" by Dublin-based girl rockers, Red Snapper. The elegant and playful Unmade Beds live up to their name in the double-CD, "Gash on My Face."

Native-American tootsie, Buffy Sainte-Bernard woofs out her usual chow of confusing ecology angst on her tedious "A Boy Named Sioux." My husband, Al, likes it; but he likes those pesky owls, too. What a jerk.

Nurturing West Coast gangsta, Gum Rapper, is back at the top of the charts with "Blood on My Schoolbooks," a follow-up to his revolutionary secular-rock hit, "Blood on My Psalmbook." He would have been honored at The Grammys this year had he not accidentally shot himself in the nuts while getting into his tuxedo.

Hypnotic rhythms longing for release inhabit the domain of The Black Crowes just-out CD, "I'll Grind Your Eyes Out." Not to be outdone, foxy and sly Sistah Souljah scores with "Booga Booga Yeah Yeah" and "Circumcision Don't Go Far Enuff 4U."

Also worth a quick listen, tobacco scion turned balladeer, R.J. Reynolds III has startled the industry with his tuneful "Man With the Hole in His Neck," a novelty song released posthumously. The hard-to-understand lyrics are poignant, once you get past that throaty buzzing sound from his neck.

The Dirt Bags, three easy mammas from Memphis, cook up a spicy stew on their new album, "Pity We Ain't Pretty." Best cuts are the zesty "Google Foog, Coogle Psoog" and the less-rhyming, though cognitive, "Hot Shot From Mister Bigg," a jumble of groggy-grunge and lachrymal Cajun rock.

Swaggering decadence and cocky bravado illuminate The Upchucks' new release "Stab Wounds" on the Juice label. Bright prospects, but not anything close to melody, loom big for Auntie Christ on her comeback CD "Get Them Tubes Outta My Nose."

I raced to pick up the ear candy that is Queen Latifa's "Boyz with the Big Butz." For playful evenings by the fire, Zamir coaxes magic and nuance from "You Remind Me of a Snake" and "Blood on My Tongue." The Blue Donkeys are out on Tumescence Records with "Put Dat Back Where It Belongs," and the title cut, the self-pitying but dead-on, "We're Really Stupid."

Around the World
Topping the Euro-charts is the right-on "Help Me Rwanda" by Tutsi and Fruitsi. Marseilles-born A Roomful of Bouillabaisse enchants with the gloomy "Chanson in My Pants" on the Au Jus label. The cooling gurgle of tulip-folk pop is an acquired taste to be sure, yet Holland-based, full-figured honeys Rubenesque can count on guilders in the bank with the synthy, sexy "Tummy Chummy Ummie" on Run For the Cheese Records.

On Tour
Don't miss the demonic, crash-and-burn wailings of Kansas-reared Shit 4 Brains in their fall tour opening September 8 in St. Louis. The group's complete ineptness and lack of musicality is more than compensated for with sheer noise, clamor and clumsy showmanship, especially when their special effects explode, hurling the dazed rockers through the scenery.

Gator Aid, the Louisiana bayou barf-fest, kicks off October 17 in Baton Rouge's Lick My Crawfish Stadium with interracial folk legends Jess Lissen and B.B. Gunn who will perform their seminal "I Didn't Know You Had a Sister."

 

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